efforts
These drawing installations emerge from my movement-based methodology, where analog gestures are recorded, layered, and reorganized to reveal the temporal structure of motion. While the initial marks are made through hand-driven repetitions, the works exist in a hybrid state: they are digital composites built from analog movement data. I project these images at scale during research sessions or installations, allowing the viewer to see the density, rhythm, and force patterns embedded in the gesture cycles. Neither purely analog nor purely digital, they occupy a space where drawing becomes a system of accumulated time.
2022-2025. Hybrid drawings generated from analog movement cycles and digital recomposition. Dimensions variable.
