MIRROR MIRROR
This series exists only as image. There are no physical objects. Each piece is a digital composite constructed from remnants of discarded paintings—scanned, flattened, and rendered as photographic mockups.
The process begins with analog fragments: painted surfaces are digitized, pixelated, posterized, and mirrored. Original gestures are erased through repetition and structural symmetry. What begins as a tactile record becomes something else—compressed, reflective, and unfamiliar. What was once cast off is restructured: visually charged, bodily, and strange.
These works do not depict the body, but hold its imprint through color, rhythm, and constraint. Symmetry becomes a tool for distortion. Anatomical cues dissolve into surface and form. Nothing is preserved. Each piece explores how repetition unravels recognition, shifting what seems familiar into something more felt than known.
2025. Digital composites
