I see the painting body as a living threshold—a place where sensation, memory, and emotion converge, revealing how identity and perception are always shifting. Rooted in experiential performance and influenced by Didier Anzieu’s idea of the Skin Ego, my work explores the skin as both boundary and vessel, mediating the exchange between inner and outer worlds. Abstraction becomes a lived process—one that invites us into the unknown, where form takes shape through the body’s movement in space, unfolding in relationship.

I work across materials, blending traditional techniques like dyeing, tufting, and painting with digital processes. My video projections reflect the body’s ability to bridge the sensory and the immaterial. The tension between raw texture and smooth interface speaks to how touch holds memory—how it grounds us—while polished surfaces can create distance, masking the body's vulnerability.

Influenced by Butoh performance and Michel Serres’ reflections on bodily knowledge, my practice is a performance of transformation—a cyclical breaking apart and re-forming of shapes, much like the body’s own encounters with the unfamiliar. By merging with materials, abstraction becomes a way of knowing—one that reaches beyond the conscious mind and holds the complexity of being.

I’m drawn to the existential as something shared—an open-ended inquiry into how our bodies respond to what is felt but not always seen. In this space, analog and digital materials intertwine, shaping a shifting sense of self that resists final answers and leaves room for ongoing becoming.